The Music Center's Walt Disney Concert Hall

Experience big performances on a more intimate scale when musicians from the LA Phil perform chamber music in small ensembles. Come early and enjoy a complimentary glass of wine before the performance, starting at 6:30pm.

Evgeny Kissin—piano sensation since the ’80s and a known expert of Romantic era classics—returns for his first Walt Disney Concert Hall recital in over a decade for a night of Chopin, Beethoven, and Shostakovich.

Written against the backdrop of the First World War, Carl Nielsen’s Fourth Symphony shifts between turbulent and triumphant as two sets of timpani, winds, and strings wage an internal conflict that ends with the universal truth that the composer described as “music is life, and like life, it is inextinguishable.” Los Angeles-native Ryan Bancroft leads the LA Phil in Nielsen’s primal and spirited symphony as well as Anders Hillborg’s Sound Atlas that channels otherworldly sounds like a glass harmonica to create snowy, crystalline landscapes.

South Korean pianist Yeol Eum Son brings “elegance and clean, sharply chiseled” sensibility to Mozart that the Vancouver Sun describes as both thoroughly modern but “very much in the spirit of Mozart’s era.” She joins the LA Phil for Mozart’s dramatic and rollicking Concerto No. 24.

The ever-inventive Icelandic musician Daníel Bjarnason has an uncanny composer voice that Time Out New York describes as “coming eerily close to defining classical music’s undefinable brave new world.” Bjarnason leads the LA Phil New Music Group in two premieres: Israeli American composer Chaya Czernowin’s NO! and his own new cycle Snow Songs for soprano and ensemble.

Through the centuries, concertos have been the platform for virtuosos to thrill audiences. In the first two installments of this series, Alan Chapman traced the development and structure of the concerto from its beginnings through the late 19th century. Now, he resumes this chronological journey with many musical examples and vibrant visuals. Whether you’re continuing the series or joining for the first time, all are welcome to come and learn!

For well over two hundred years, the “Eroica” Symphony has been celebrated as one Beethoven’s greatest works and one of the most revolutionary masterpieces in classical music. Esa-Pekka Salonen leads the LA Phil in this powerful piece of defiance, contrasting it with Debussy’s dreamy and fluid Prelude to the Afternoon of a Faun. Pekka Kuusisto, a fellow Finn and one of Salonen’s favorite collaborators, joins the orchestra for Bryce Dessner’s Violin Concerto, which Kuusisto describes as “super energetic, and athletic, active—but it’s the big changes of scenery that really make it magic.”

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Written against the backdrop of the First World War, Carl Nielsen’s Fourth Symphony shifts between turbulent and triumphant as two sets of timpani, winds, and strings wage an internal conflict that ends with the universal truth that the composer described as “music is life, and like life, it is inextinguishable.” Los Angeles-native Ryan Bancroft leads the LA Phil in Nielsen’s primal and spirited symphony as well as Anders Hillborg’s Sound Atlas that channels otherworldly sounds like a glass harmonica to create snowy, crystalline landscapes.

South Korean pianist Yeol Eum Son brings “elegance and clean, sharply chiseled” sensibility to Mozart that the Vancouver Sun describes as both thoroughly modern but “very much in the spirit of Mozart’s era.” She joins the LA Phil for Mozart’s dramatic and rollicking Concerto No. 24.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Margarita Xirgu has spent half her acting career in exile, mourning Federico García Lorca, the dear friend whom she couldn’t convince to flee Franco’s reign of terror. Lorca was once on the verge of writing his way into a new Golden Age in Spain. But dictators have no use for poets.

Resident Conductor Lina González-Granados leads this major company premiere. Grammy winner Osvaldo Golijov’s dramatic, flamenco-inspired score meets a poignant libretto by David Henry Hwang in what the LA Times calls “one of the most moving and meaningful operas of our time.” Ana María Martínez takes center stage as Lorca’s muse Margarita Xirgu, recounting the poet’s life and his last days in the Spanish Civil War. Daniela Mack steps into the role of Federico García Lorca, the man whose pen proved just as dangerous as any pistol.

Written against the backdrop of the First World War, Carl Nielsen’s Fourth Symphony shifts between turbulent and triumphant as two sets of timpani, winds, and strings wage an internal conflict that ends with the universal truth that the composer described as “music is life, and like life, it is inextinguishable.” Los Angeles-native Ryan Bancroft leads the LA Phil in Nielsen’s primal and spirited symphony as well as Anders Hillborg’s Sound Atlas that channels otherworldly sounds like a glass harmonica to create snowy, crystalline landscapes.

South Korean pianist Yeol Eum Son brings “elegance and clean, sharply chiseled” sensibility to Mozart that the Vancouver Sun describes as both thoroughly modern but “very much in the spirit of Mozart’s era.” She joins the LA Phil for Mozart’s dramatic and rollicking Concerto No. 24.