The Music Center's Mark Taper Forum
Opened in 1967, the Mark Taper Forum (Taper) is The Music Center’s smallest and most intimate theatre and was designed for the production of dramas and experimental theater. It was named for S. Mark Taper, a prominent real estate developer, banker and philanthropist. The venue is the ideal stage for dramatic plays and productions by Center Theatre Group and has received virtually every theatrical award including a special Tony for theatrical excellence, which was awarded in 1977.
A circular building that measures 140 feet in diameter, the Forum rises from a reflecting pool. The upper 27 feet of the Forum cantilevers out from the base, which is covered in dark, split-face granite blocks. The dark granite mirrors that of The Music Center's Dorothy Chandler Pavilion across Jerry Moss Plaza.
The Taper’s drum-like structure features a 378-foot-long cast concrete relief mural in an abstract pattern that encircles the theatre and suggests the movements of the performing arts. Designed by sculptor Jacques Overhoff, the relief is a repeating pattern that is seven panels in width with seven repeats, for a total of 49 panels; the artist chose seven panels as the width so the eye would never be able to see the repeating pattern given the circular shape of the building. Inside the Taper, the entrance features a 60-foot wall, created by designer Tony Duquette, called “Curved Wall”, which is composed of 50,800 abalone shell tiles.
Featuring a thrust stage that juts out into the audience, the theatre’s 736 seats are arranged in a semi-circle in classical amphitheater style, surrounding three sides of the stage. This design gives audiences the opportunity to view the performance from a variety of perspectives. As such, the theatre does not feature either a stage arch or curtain.
The Music Center oversaw a $30 million renovation of the Taper interior from 2007–2008 to upgrade its technical capabilities and audience amenities while maintaining the structural integrity of the original design. Award-winning architectural and design firm, Rios Clementi Hale Studios (now known as Rios), led the theatre’s architectural renovation.
As part of their work, the architects doubled the size of the lobby area, enhanced the abalone wall with recessed lighting and added a new main refreshment area. In addition, the lobby now includes mirrored columns a metal mesh wall covering called Cascade Coil Drapery, decorative terrazzo flooring and a raised ceiling and floor. By raising the lobby floor, the architects provided audiences with access to the theatre directly from Jerry Moss Plaza.
Featured at the Mark Taper Forum
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Wed Jan 29 8:00 PM
Sun Mar 09 6:30 PM
Center Theatre Group Fake It Until You Make It
Mark Taper Forum
A bold world premiere comedy from Los Angeles-based playwright, Larissa FastHorse, about being whoever you want to be, even when it’s not who you are. FastHorse is a critically acclaimed writer who focuses her keen sense of satire to examine Nativ...Show More
A bold world premiere comedy from Los Angeles-based playwright, Larissa FastHorse, about being whoever you want to be, even when it’s not who you are. FastHorse is a critically acclaimed writer who focuses her keen sense of satire to examine Native American perspectives on contemporary life and will be the first Native American writer to have a mainstage production on the Mark Taper Forum stage. A member of the Sicangu Lakota Nation, and author of the Broadway comedy, The Thanksgiving Play, FastHorse’s new work shines a hilarious light on ‘shifters’ who exist in a world of self-determined identity. This thought-provoking comic play asks what happens when you don’t believe you are the race you want to be? Change it! Fake It Until You Make It takes an absurd look at what defines who we are, and the lengths some people will go through to change it.
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Wed May 28 8:00 PM
Sun Jul 06 1:00 PM
Center Theatre Group Hamlet
Mark Taper Forum
It’s been a half a century since Hamlet was produced at the Taper and next season Tony Award® nominated visionary, Robert O’Hara, who directed the landmark box office hit Slave Play, returns to stage one of the most famous tales ...Show More
It’s been a half a century since Hamlet was produced at the Taper and next season Tony Award® nominated visionary, Robert O’Hara, who directed the landmark box office hit Slave Play, returns to stage one of the most famous tales ever told.
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Fri Jan 24 8:00 PM
Sun Jan 26 2:00 PM
LA Phil Rachmaninoff & Muhly
Walt Disney Concert Hall
Eun Sun Kim, music director for the San Francisco Opera, leads the LA Phil through the spiraling passages of Rachmaninoff’s riveting Third Symphony and a brand-new concerto grosso that offers a spotlight to the orchestra by the forward-thinking co...Show More
Eun Sun Kim, music director for the San Francisco Opera, leads the LA Phil through the spiraling passages of Rachmaninoff’s riveting Third Symphony and a brand-new concerto grosso that offers a spotlight to the orchestra by the forward-thinking composer Nico Muhly. Then, an outstanding pianist “with an agile technique that allows him perfect clarity in the most complex textures, abundant sensitivity and refinement” (Gramophone) returns to Walt Disney Concert Hall. Alexandre Kantorow, winner of the prestigious Gilmore Artist Award, shows off his sensitive technique with Rachmaninoff’s ever-evolving Rhapsody on a Theme of Paganini.
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Fri Jan 24 8:00 PM
Sun Jan 26 2:00 PM
LA Phil Rachmaninoff & Muhly
Walt Disney Concert Hall
Eun Sun Kim, music director for the San Francisco Opera, leads the LA Phil through the spiraling passages of Rachmaninoff’s riveting Third Symphony and a brand-new concerto grosso that offers a spotlight to the orchestra by the forward-thinking co...Show More
Eun Sun Kim, music director for the San Francisco Opera, leads the LA Phil through the spiraling passages of Rachmaninoff’s riveting Third Symphony and a brand-new concerto grosso that offers a spotlight to the orchestra by the forward-thinking composer Nico Muhly. Then, an outstanding pianist “with an agile technique that allows him perfect clarity in the most complex textures, abundant sensitivity and refinement” (Gramophone) returns to Walt Disney Concert Hall. Alexandre Kantorow, winner of the prestigious Gilmore Artist Award, shows off his sensitive technique with Rachmaninoff’s ever-evolving Rhapsody on a Theme of Paganini.
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