Written against the backdrop of the First World War, Carl Nielsen’s Fourth Symphony shifts between turbulent and triumphant as two sets of timpani, winds, and strings wage an internal conflict that ends with the universal truth that the composer described as “music is life, and like life, it is inextinguishable.” Los Angeles-native Ryan Bancroft leads the LA Phil in Nielsen’s primal and spirited symphony as well as Anders Hillborg’s Sound Atlas that channels otherworldly sounds like a glass harmonica to create snowy, crystalline landscapes.

South Korean pianist Yeol Eum Son brings “elegance and clean, sharply chiseled” sensibility to Mozart that the Vancouver Sun describes as both thoroughly modern but “very much in the spirit of Mozart’s era.” She joins the LA Phil for Mozart’s dramatic and rollicking Concerto No. 24.

Margarita Xirgu has spent half her acting career in exile, mourning Federico García Lorca, the dear friend whom she couldn’t convince to flee Franco’s reign of terror. Lorca was once on the verge of writing his way into a new Golden Age in Spain. But dictators have no use for poets.

Resident Conductor Lina González-Granados leads this major company premiere. Grammy winner Osvaldo Golijov’s dramatic, flamenco-inspired score meets a poignant libretto by David Henry Hwang in what the LA Times calls “one of the most moving and meaningful operas of our time.” Ana María Martínez takes center stage as Lorca’s muse Margarita Xirgu, recounting the poet’s life and his last days in the Spanish Civil War. Daniela Mack steps into the role of Federico García Lorca, the man whose pen proved just as dangerous as any pistol.

The Los Angeles Master Chorale presents the highly anticipated U.S. premiere of Rufus Wainwright's Dream Requiem. Dream Requiem merges two long standing creative visions—Wainwright’s fascination with Byron's poem Darkness, depicting global upheaval after the 1815 Mount Tambora eruption, and his lifelong admiration for the great Requiems of Verdi, Berlioz and Britten. This powerful and evocative modern-day requiem, with sublime harmonies and emotive storytelling, is an opulent composition that seamlessly weaves together Wainwright’s distinctive musical voice with the timeless liturgy of the Latin Requiem Mass.

Winner of three Tony Awards® and the Olivier Award for Best Play, Life of Pi is an unforgettable, epic tale of adventure and “an exhilarating evening of theater” (The Wall Street Journal).

Lolita Chakrabarti’s dazzling stage adaptation of Yann Martel’s best-selling novel (over 15 million copies sold) is a worldwide phenomenon and opened to critical acclaim on Broadway and the West End and is now captivating audiences around the globe.

With its larger-than-life journey of faith, hope and perseverance, Life of Pi speaks to every generation and “gives new life to Broadway” (The Today Show).

Told with jaw-dropping visuals, world class, innovative puppetry and exquisite stagecraft, the Broadway and West End sensation Life of Pi creates a visually breathtaking journey that will leave you filled with awe and joy.

Get in the groove at The Music Center's On the Record: Vinyl Fair in DTLA! Dig through a curated record sale featuring over 16 vendors with a variety of genres, artists and pricing. While you build your collection, vibe to live DJ sets, immerse yourself in a restorative sound bath, join a storytelling lounge and much more!

Let us know you're coming!

The Music Center's On the Record: Vinyl Fair is co-created through the Partner Network Initiative and would not be possible without members  Arts for LA, Dance Resource Center, KCRW, LA Commons, LAUSD Arts Education Branch, South Gate Museum & Art Gallery and Dexter Story.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Written against the backdrop of the First World War, Carl Nielsen’s Fourth Symphony shifts between turbulent and triumphant as two sets of timpani, winds, and strings wage an internal conflict that ends with the universal truth that the composer described as “music is life, and like life, it is inextinguishable.” Los Angeles-native Ryan Bancroft leads the LA Phil in Nielsen’s primal and spirited symphony as well as Anders Hillborg’s Sound Atlas that channels otherworldly sounds like a glass harmonica to create snowy, crystalline landscapes.

South Korean pianist Yeol Eum Son brings “elegance and clean, sharply chiseled” sensibility to Mozart that the Vancouver Sun describes as both thoroughly modern but “very much in the spirit of Mozart’s era.” She joins the LA Phil for Mozart’s dramatic and rollicking Concerto No. 24.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Angelenos are invited to experience outdoor movement, restoration and reinvigoration—in under an hour. This free series is set to redefine midday breaks. Every Wednesday and Friday, amid the lush greenery of the park, participants can immerse themselves in their yoga flow. In addition to the regular weekly yoga classes, everyone is encouraged to mark their calendars for every third or fourth Saturday for the park’s “Wild Card” series, adding excitement and variety to the Wellness Breaks. These sessions are located on the scenic performance lawn between Grand Ave and Hill St.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Margarita Xirgu has spent half her acting career in exile, mourning Federico García Lorca, the dear friend whom she couldn’t convince to flee Franco’s reign of terror. Lorca was once on the verge of writing his way into a new Golden Age in Spain. But dictators have no use for poets.

Resident Conductor Lina González-Granados leads this major company premiere. Grammy winner Osvaldo Golijov’s dramatic, flamenco-inspired score meets a poignant libretto by David Henry Hwang in what the LA Times calls “one of the most moving and meaningful operas of our time.” Ana María Martínez takes center stage as Lorca’s muse Margarita Xirgu, recounting the poet’s life and his last days in the Spanish Civil War. Daniela Mack steps into the role of Federico García Lorca, the man whose pen proved just as dangerous as any pistol.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Written against the backdrop of the First World War, Carl Nielsen’s Fourth Symphony shifts between turbulent and triumphant as two sets of timpani, winds, and strings wage an internal conflict that ends with the universal truth that the composer described as “music is life, and like life, it is inextinguishable.” Los Angeles-native Ryan Bancroft leads the LA Phil in Nielsen’s primal and spirited symphony as well as Anders Hillborg’s Sound Atlas that channels otherworldly sounds like a glass harmonica to create snowy, crystalline landscapes.

South Korean pianist Yeol Eum Son brings “elegance and clean, sharply chiseled” sensibility to Mozart that the Vancouver Sun describes as both thoroughly modern but “very much in the spirit of Mozart’s era.” She joins the LA Phil for Mozart’s dramatic and rollicking Concerto No. 24.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Written against the backdrop of the First World War, Carl Nielsen’s Fourth Symphony shifts between turbulent and triumphant as two sets of timpani, winds, and strings wage an internal conflict that ends with the universal truth that the composer described as “music is life, and like life, it is inextinguishable.” Los Angeles-native Ryan Bancroft leads the LA Phil in Nielsen’s primal and spirited symphony as well as Anders Hillborg’s Sound Atlas that channels otherworldly sounds like a glass harmonica to create snowy, crystalline landscapes.

South Korean pianist Yeol Eum Son brings “elegance and clean, sharply chiseled” sensibility to Mozart that the Vancouver Sun describes as both thoroughly modern but “very much in the spirit of Mozart’s era.” She joins the LA Phil for Mozart’s dramatic and rollicking Concerto No. 24.