Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

Experience the vibrant two-week exhibition featuring stunning altars created by local artists and community organizations, along with family-friendly activities and a free film screening.

Gustavo Dudamel leads a festive exploration of Latin American music for Día de los Muertos with Villa-Lobos’ progressive tour de force and Gabriela Ortiz’s 2019 Yanga. Her work for orchestra, chorus, and percussion ensemble is characterized by its use of African instruments and colorful, multilayered rhythms. Ortiz says, “[Yanga] speaks to the greatness of humanity when in search of equality and the universal right to enjoy freedom to the fullest.” Revueltas’ film score La noche de los Mayas digs deeper into Mexico’s ancient culture brought into conversation with the modern world, bolting through thunderous, dynamic rhythms and a flute interlude based on a traditional Yucatan evening song. Within the music is what poet Octavio Paz describes as Revueltas’ “deep-felt but also joyful concern for man.”

Two feuding families rule Verona, with the Montagues and Capulets each determined to write their victory in blood. A chance meeting between Romeo Montague and Juliet Capulet sparks a forbidden romance. But it wouldn’t be a Shakespearean tragedy without...well...tragedy.

Famed Venezuelan conductor Domingo Hindoyan and our very own Resident Conductor Lina González-Granados lead Gounod’s romantic score, studded with one gorgeous love duet after another. Rising stars Amina Edris and Duke Kim make their house debuts as opera’s favorite star-crossed lovers, with Justin Austin in his company debut as Mercutio and company favorite Craig Colclough as Lord Capulet. Enter a sensuous, elegant world of vengeful duels and young love as this fan favorite returns to LA Opera for the first time since 2011.

The Los Angeles Master Chorale’s 60^th Anniversary Season continues with the launch of L.A. SINGS! As the largest professional choir in the country, the Chorale is dedicated to transforming L.A. into a city of singers and nurturing our vibrant choral ecosystem. Led by Grant Gershon and MUSE/IQUE Artistic & Music Director Rachael Worby, All You Need Is Love is a mega sing-along at Walt Disney Concert Hall, celebrating our ability to come together and find harmony in our differences. This marks the first collaboration between the Chorale and the highly innovative MUSE/IQUE, featuring the songs Stand By Me, What A Wonderful World, Ain’t No Mountain High Enough, and more, along with popular choral work. No singing experience required!

Step into the ultimate gaming event at Night Games, a weekend where the world of indie games takes center stage under the stars. Compete in action-packed multiplayer games, perfect your solo strategies, or simply enjoy the excitement as players go head-to-head. This one-of-a-kind experience brings gaming enthusiasts together for a celebration of creative gameplay and the innovative spirit of independent developers. Join us for an unforgettable night filled with immersive gaming, competition and discovery. 

Musical theatre legend Sutton Foster (The Drowsy Chaperone, The Music Man) returns to the Ahmanson Theatre as Princess Winnifred in this beloved musical fairytale. Full of gloriously catchy melodies like “Shy” and “In a Little While,” this uproarious update of Hans Christian Andersen’s The Princess and the Peapromises both classic charms and new delights.

Directed by Tony-nominated Encores! Artistic Director Lear deBessonet (Into the Woods) and with a new adaptation by Amy Sherman-Palladino (The Marvelous Mrs. Maisel), Once Upon a Mattress sets an unapologetic free spirit loose in a repressed kingdom, reveling in Winnifred’s ability to charm and transform with willpower, honesty, and a little bit of help from her friends.

Experience the vibrant two-week exhibition featuring stunning altars created by local artists and community organizations, along with family-friendly activities and a free film screening.

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

The Music Center's Ahmanson Theatre will serve as an official Los Angeles County Vote Center for the 2024 General Election. Vote early in person or drop off your Vote by Mail ballot!

These 45-minute interactive Los Angeles Philharmonic concerts introduce young audiences to symphonic music. Before each concert, families are invited to participate in hands-on arts workshops.

This concert is recommended for children ages 5 to 11.

Two feuding families rule Verona, with the Montagues and Capulets each determined to write their victory in blood. A chance meeting between Romeo Montague and Juliet Capulet sparks a forbidden romance. But it wouldn’t be a Shakespearean tragedy without...well...tragedy.

Famed Venezuelan conductor Domingo Hindoyan and our very own Resident Conductor Lina González-Granados lead Gounod’s romantic score, studded with one gorgeous love duet after another. Rising stars Amina Edris and Duke Kim make their house debuts as opera’s favorite star-crossed lovers, with Justin Austin in his company debut as Mercutio and company favorite Craig Colclough as Lord Capulet. Enter a sensuous, elegant world of vengeful duels and young love as this fan favorite returns to LA Opera for the first time since 2011.

Gustavo Dudamel leads a festive exploration of Latin American music for Día de los Muertos with Villa-Lobos’ progressive tour de force and Gabriela Ortiz’s 2019 Yanga. Her work for orchestra, chorus, and percussion ensemble is characterized by its use of African instruments and colorful, multilayered rhythms. Ortiz says, “[Yanga] speaks to the greatness of humanity when in search of equality and the universal right to enjoy freedom to the fullest.” Revueltas’ film score La noche de los Mayas digs deeper into Mexico’s ancient culture brought into conversation with the modern world, bolting through thunderous, dynamic rhythms and a flute interlude based on a traditional Yucatan evening song. Within the music is what poet Octavio Paz describes as Revueltas’ “deep-felt but also joyful concern for man.”

The Music Center's Ahmanson Theatre will serve as an official Los Angeles County Vote Center for the 2024 General Election. Vote early in person or drop off your Vote by Mail ballot!

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

Embark on an immersive journey into the evolving relationship between AI and human connection with A More Than Human Tongue with two groundbreaking experiences: One Who Looks at the Cup and Voice In My Head.

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

Gustavo Dudamel leads a festive exploration of Latin American music for Día de los Muertos with Villa-Lobos’ progressive tour de force and Gabriela Ortiz’s 2019 Yanga. Her work for orchestra, chorus, and percussion ensemble is characterized by its use of African instruments and colorful, multilayered rhythms. Ortiz says, “[Yanga] speaks to the greatness of humanity when in search of equality and the universal right to enjoy freedom to the fullest.” Revueltas’ film score La noche de los Mayas digs deeper into Mexico’s ancient culture brought into conversation with the modern world, bolting through thunderous, dynamic rhythms and a flute interlude based on a traditional Yucatan evening song. Within the music is what poet Octavio Paz describes as Revueltas’ “deep-felt but also joyful concern for man.”

The Music Center's Ahmanson Theatre will serve as an official Los Angeles County Vote Center for the 2024 General Election. Vote early in person or drop off your Vote by Mail ballot!

Embark on an immersive journey into the evolving relationship between AI and human connection with A More Than Human Tongue with two groundbreaking experiences: One Who Looks at the Cup and Voice In My Head.

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

Experience the vibrant two-week exhibition featuring stunning altars created by local artists and community organizations, along with family-friendly activities and a free film screening.

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.